{"version":"1.0","provider_name":"Revue des Temps","provider_url":"https:\/\/revuedestemps.com","author_name":"Marion Gisquet","author_url":"https:\/\/revuedestemps.com\/index.php\/author\/marion-gisque\/","title":"Analyse de l'\u0153uvre d'E.Munch au regard de trois tableaux. - Revue des Temps","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"JaQnAPsjuo\"><a href=\"https:\/\/revuedestemps.com\/index.php\/2025\/10\/02\/4155\/\">Analyse de l&rsquo;\u0153uvre d&rsquo;E.Munch au regard de trois tableaux.<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/revuedestemps.com\/index.php\/2025\/10\/02\/4155\/embed\/#?secret=JaQnAPsjuo\" width=\"600\" height=\"338\" title=\"\u00ab\u00a0Analyse de l&rsquo;\u0153uvre d&rsquo;E.Munch au regard de trois tableaux.\u00a0\u00bb &#8212; Revue des Temps\" data-secret=\"JaQnAPsjuo\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/revuedestemps.com\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"http:\/\/revuedestemps.com\/wp-content\/uploads\/2025\/10\/Copie-de-Copie-de-Copie-de-Octobre-2024-3750-x-1875-px-1024x512.png","thumbnail_width":1024,"thumbnail_height":512,"description":"Un aveu ? Le malaise et la touche picturale : c&rsquo;est ce qui saute aux yeux en premier quand on les braque sur l&rsquo;\u0153uvre. Peint \u00e0 coups de pinceaux \u00e9nergiques, le personnage sans figure qui s&rsquo;avance vers le spectateur incarne une menace empreinte d&rsquo;\u00e9tranget\u00e9. Apr\u00e8s quelques minutes d&rsquo;observation, une vague impression de r\u00eaverie vient cependant [&hellip;]"}