{"version":"1.0","provider_name":"Revue des Temps","provider_url":"https:\/\/revuedestemps.com","author_name":"Marion Gisquet","author_url":"https:\/\/revuedestemps.com\/index.php\/author\/marion-gisque\/","title":"Les vanit\u00e9s de Philippe Pasqua. - Revue des Temps","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"j6DwyL76Gn\"><a href=\"https:\/\/revuedestemps.com\/index.php\/2025\/12\/19\/les-vanites-de-philippe-pasqua\/\">Les vanit\u00e9s de Philippe Pasqua.<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/revuedestemps.com\/index.php\/2025\/12\/19\/les-vanites-de-philippe-pasqua\/embed\/#?secret=j6DwyL76Gn\" width=\"600\" height=\"338\" title=\"\u00ab\u00a0Les vanit\u00e9s de Philippe Pasqua.\u00a0\u00bb &#8212; Revue des Temps\" data-secret=\"j6DwyL76Gn\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/revuedestemps.com\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"http:\/\/revuedestemps.com\/wp-content\/uploads\/2025\/12\/IMG-20251219-WA00201.jpg","thumbnail_width":2048,"thumbnail_height":1152,"description":"Des habituels symboles all\u00e9goriques de la mort, du temps qui passe, de la vacuit\u00e9 des passions et des activit\u00e9s humaines, Philippe Pasqua (n\u00e9 en 1965 \u00e0 Grasse) ne conserve que le cr\u00e2ne et les papillons, concentrant ainsi son attention sur l&rsquo;Homme, plac\u00e9 au centre de sa r\u00e9flexion. Les signes mat\u00e9rialistes pr\u00e9sents sur les tableaux du [&hellip;]"}