{"id":1005,"date":"2024-04-25T15:10:01","date_gmt":"2024-04-25T13:10:01","guid":{"rendered":"https:\/\/revuedestemps.com\/?p=1005"},"modified":"2024-04-28T17:24:56","modified_gmt":"2024-04-28T15:24:56","slug":"eva-alvor-lart-et-linsouciance-davant-guerre","status":"publish","type":"post","link":"https:\/\/revuedestemps.com\/index.php\/2024\/04\/25\/eva-alvor-lart-et-linsouciance-davant-guerre\/","title":{"rendered":"Eva Alvor\u00a0: l\u2019art et l\u2019insouciance d\u2019avant-guerre."},"content":{"rendered":"<p><em>\u00ab Quand je regarde l&rsquo;\u0153uvre <\/em>Interrupted Connection<em> de 2020 et que je la compare avec les \u00e9v\u00e9nements qui se produisent aujourd&rsquo;hui, je comprends \u00e0 quel point la vie \u00e9tait facile et insouciante avant la guerre. \u00bb<\/em> (Eva Alvor.)<\/p>\n<h4><strong>Influence et parcours<\/strong><\/h4>\n<p>Aussi loin qu\u2019elle se souvienne, Eva a toujours dessin\u00e9. Lorsqu&rsquo;elle \u00e9tait toute petite, elle transformait n&rsquo;importe quel espace vide en illustration, que ce soit une feuille de papier ou une page vide d&rsquo;un livre. Pour elle, il s\u2019agissait de cr\u00e9er son propre monde dans lequel elle pouvait vivre, en un mot\u00a0: \u00eatre, sans avoir \u00e0 respirer l\u2019odeur de poudre que portait, depuis un certain temps, un vent venu de l\u2019Est.<\/p>\n<p>C\u2019\u00e9tait aussi l\u2019occasion pour elle de mat\u00e9rialiser son imaginaire en quelque chose de tangible\u00a0: tableau ou simple esquisse. Afin de continuer sur son chemin artistique, Eva a ensuite int\u00e9gr\u00e9 une \u00e9cole d\u2019art o\u00f9 il \u00e9tait possible de ma\u00eetriser les bases de la peinture, ce qui semblait assez ennuyeux \u00e0 l\u2019artiste, car le programme \u00e9tait inspir\u00e9 du r\u00e9alisme socialiste sovi\u00e9tique et, donc, assez restreignant pour Eva qui aspirait \u00e0 innover. \u00c0 l\u2019Universit\u00e9 nationale <a id=\"post-1005-_Hlk165124959\"><\/a>Khmelnitski, l\u2019une des sp\u00e9cialit\u00e9s d\u2019un des d\u00e9partements \u00e9tait le design, ce qui, pour elle, offrait un champ d\u2019exp\u00e9rimentation plus large.<\/p>\n<p>Elle se souvient de cette p\u00e9riode comme de merveilleuses journ\u00e9es cr\u00e9atives, o\u00f9 elle pouvait peindre en studio toute la nuit, fumer par la fen\u00eatre, passer du temps avec des amis\u00a0; elle se sentait en harmonie avec le monde.<\/p>\n<p>Eva a \u00e9t\u00e9 tr\u00e8s fortement influenc\u00e9e par sa s\u0153ur, qui a v\u00e9cu en Europe de l\u2019Ouest et a \u00e9t\u00e9 la premi\u00e8re \u00e0 lui faire d\u00e9couvrir l\u2019univers de l\u2019art moderne\u00a0; elle a compris qu\u2019il existait d\u2019autres communaut\u00e9s de cr\u00e9ateurs aux techniques vari\u00e9es et Eva s\u2019est empress\u00e9e de les \u00e9tudier. Sa s\u0153ur a commenc\u00e9 \u00e0 pr\u00e9senter \u00e0 Eva les derni\u00e8res nouveaut\u00e9s en mati\u00e8re d\u2019art contemporain, en lui envoyant des articles int\u00e9ressants sur les artistes et leur style, ainsi que des conf\u00e9rences sur l\u2019art. C\u2019\u00e9tait un monde incroyablement int\u00e9ressant et passionnant o\u00f9 il n\u2019y avait pas de limites. Cet espace de libert\u00e9 a montr\u00e9 \u00e0 Eva qu\u2019il existait des proc\u00e9d\u00e9s et chemins diff\u00e9rents de ceux trac\u00e9s par l\u2019\u00e9cole d\u2019art et l\u2019universit\u00e9 de Khmelnitski.<\/p>\n<h4><strong>La beaut\u00e9 non \u00e9vidente<\/strong><\/h4>\n<p>C\u2019est \u00e0 cette p\u00e9riode qu\u2019elle d\u00e9couvre le concept de <em>beaut\u00e9 non \u00e9vidente<\/em> et souhaite l\u2019approfondir, ce qui deviendra un autre sujet pour ses peintures, comme l\u2019\u0153uvre <em>Red <\/em>de 2021, qui repr\u00e9sente un feu de circulation lorsqu\u2019il devient rouge. L\u2019\u0153uvre est magn\u00e9tique et myst\u00e9rieuse et joue avec les nuances de couleur d\u2019un feu tricolore dont le rouge rev\u00eat plusieurs significations, en fonction de l\u2019observateur.<\/p>\n<p>La <em>beaut\u00e9 non \u00e9vidente<\/em> r\u00e9side dans l\u2019intrigue de l\u2019objet qui est peint, le myst\u00e8re du choix des tons de couleurs et de leur agencement. Exp\u00e9rimentant les mat\u00e9riaux, l\u2019artiste s\u2019est aussi essay\u00e9e au collage. Le premier est n\u00e9 dans la cuisine de l\u2019appartement o\u00f9 elle logeait avec sa m\u00e8re. Elle a commenc\u00e9 \u00e0 d\u00e9couper divers objets dans de vieux magazines et \u00e0 les coller au mur\u00a0: de cette mani\u00e8re, quelque chose de nouveau renaissait du simple quotidien relat\u00e9 dans les journaux. Les gens qui venaient lui rendre visite s\u2019arr\u00eataient et regardaient longuement les \u0153uvres en s\u2019interrogeant sur leur signification.<\/p>\n<p>Il est \u00e9galement important de pr\u00e9ciser que la majeure partie du travail d\u2019Eva est occup\u00e9e par le th\u00e8me des arbres, comme souvenir d\u2019enfance, sorte de madeleine\u00a0de\u00a0Proust, qui correspond \u00e0 la p\u00e9riode pr\u00e9c\u00e9dant l\u2019invasion russe. Malgr\u00e9 cet \u00e9v\u00e9nement qui a chamboul\u00e9 l\u2019Europe, Eva a choisi de rester en Ukraine. Quand elle et sa s\u0153ur \u00e9taient petites, elles vivaient dans une maison priv\u00e9e du village avec leur grand-m\u00e8re\u00a0: \u00ab\u00a0Nous avions des arbres sur notre propri\u00e9t\u00e9. Mon pr\u00e9f\u00e9r\u00e9 \u00e9tait un noyer et celui de ma s\u0153ur \u00e9tait un pommier. J\u2019adorais toucher les fruits verts non m\u00fbrs et respirer leurs ar\u00f4mes.\u00a0\u00bb Maintenant, Eva vit dans un immeuble de grande hauteur \u00e0 Zaporijia, ses enfants adorent jouer sur le terrain qui se trouve en face, grimper aux arbres pour s\u2019asseoir entre les branches.<\/p>\n<p>Mais, lorsque la sir\u00e8ne d\u2019alarme sonne, l\u2019insouciance qui galvanisait son esprit cr\u00e9atif d\u2019avant-guerre se t\u00e9lescope dans la vision de ses enfants qui, malgr\u00e9 les drones et missiles, gardent leurs yeux innocents et purs en direction d\u2019un futur apais\u00e9, d\u2019un retour \u00e0 une certaine forme de calme et de s\u00e9r\u00e9nit\u00e9.<\/p>\n<h3>Oksana Chilikina<\/h3>\n","protected":false},"excerpt":{"rendered":"<p>\u00ab Quand je regarde l&rsquo;\u0153uvre Interrupted Connection de 2020 et que je la compare avec les \u00e9v\u00e9nements qui se produisent aujourd&rsquo;hui, je comprends \u00e0 quel point la vie \u00e9tait facile et insouciante avant la guerre. \u00bb (Eva Alvor.) Influence et parcours Aussi loin qu\u2019elle se souvienne, Eva a toujours dessin\u00e9. Lorsqu&rsquo;elle \u00e9tait toute petite, elle [&hellip;]<\/p>\n","protected":false},"author":5,"featured_media":1006,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[13],"tags":[30],"class_list":["post-1005","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-inventions","tag-avril-2024"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.1.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Eva Alvor\u00a0: l\u2019art et l\u2019insouciance d\u2019avant-guerre. - Revue des Temps<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/revuedestemps.com\/index.php\/2024\/04\/25\/eva-alvor-lart-et-linsouciance-davant-guerre\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Eva Alvor\u00a0: l\u2019art et l\u2019insouciance d\u2019avant-guerre. - Revue des Temps\" \/>\n<meta property=\"og:description\" content=\"\u00ab Quand je regarde l&rsquo;\u0153uvre Interrupted Connection de 2020 et que je la compare avec les \u00e9v\u00e9nements qui se produisent aujourd&rsquo;hui, je comprends \u00e0 quel point la vie \u00e9tait facile et insouciante avant la guerre. \u00bb (Eva Alvor.) 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