{"id":1322,"date":"2024-06-23T21:50:00","date_gmt":"2024-06-23T19:50:00","guid":{"rendered":"https:\/\/revuedestemps.com\/?p=1322"},"modified":"2024-07-25T13:16:03","modified_gmt":"2024-07-25T11:16:03","slug":"extraits-dun-recueil-de-poesie","status":"publish","type":"post","link":"https:\/\/revuedestemps.com\/index.php\/2024\/06\/23\/extraits-dun-recueil-de-poesie\/","title":{"rendered":"Extraits d\u2019un recueil de Po\u00e9sie."},"content":{"rendered":"<p>Peinture : <i>La Nativit\u00e9 mystique, <\/i>peinture \u00e0 huile sur toile (108,5 \u00d7 74,9 <abbr class=\"abbr\" title=\"centim\u00e8tre\">cm<\/abbr>), 1500-15001, Sandro Botticelli, London National Gallery.<\/p>\n<p style=\"text-align: center;\"><strong>Extraits d\u2019un recueil de Po\u00e9sie.<\/strong><\/p>\n<p style=\"text-align: center;\"><strong>Avant-propos de l\u2019auteur\u00a0:<\/strong><\/p>\n<p>Ce recueil a vocation \u00e0 utiliser le m\u00e9dium po\u00e9tique comme un outil, un moyen, pour tenter d\u2019effleurer l\u2019essence de certaines r\u00e9alit\u00e9s.<\/p>\n<p>En ce sens, chaque \u00e9tape de cette p\u00e9r\u00e9grination est associ\u00e9e \u00e0 une constellation de concepts, tir\u00e9s \u00e0 la fois de la mythologie, des sciences humaines et, dans une moindre mesure, des sciences naturelles ; \u00e0 la mani\u00e8re des Romains des premiers si\u00e8cles pour qui le partage entre textes \u00ab scientifiques \u00bb et \u00ab litt\u00e9raires \u00bb n\u2019avait pas lieu d\u2019\u00eatre. J\u2019ai, \u00e0 ce titre, pris soin d\u2019indiquer au lecteur chacune de mes r\u00e9f\u00e9rences en note de bas de page pour qu\u2019il puisse, \u00e0 sa guise, juger de la sagacit\u00e9 des analogies op\u00e9r\u00e9es.<\/p>\n<p>Mon but est somme toute d\u2019inoculer dans l\u2019esprit du lecteur, par l\u2019entremise de la prosodie, la nature m\u00eame de la gradation propre \u00e0 toute existence : celle du passage du n\u00e9ant \u00e0 l\u2019essence, de l\u2019incons\u00e9quence \u00e0 la consistance, du tourment \u00e0 la contemplation.<\/p>\n<h4 style=\"text-align: center;\"><strong>Le triomphe de Sil\u00e8ne<sup><a id=\"post-1322-footnote-ref-1\" href=\"#post-1322-footnote-1\">[1]<\/a><\/sup><\/strong><\/h4>\n<p style=\"text-align: center;\">Avachi sous le poids de mes p\u00e9ch\u00e9s<\/p>\n<p style=\"text-align: center;\">Ma monture<sup><a id=\"post-1322-footnote-ref-2\" href=\"#post-1322-footnote-2\">[2]<\/a><\/sup> rechigne \u00e0 mon appel,<\/p>\n<p style=\"text-align: center;\">Malheur au cocher \u00e0 l\u2019allure \u00e9m\u00e9ch\u00e9e,<\/p>\n<p style=\"text-align: center;\">Que les diaprures<sup><a id=\"post-1322-footnote-ref-3\" href=\"#post-1322-footnote-3\">[3]<\/a><\/sup> de la chaire firent chavirer de la selle !<\/p>\n<p style=\"text-align: center;\">Vois l\u2019aviron rosser ses flancs st\u00e9riles,<\/p>\n<p style=\"text-align: center;\">H\u00e9las r\u00e9volu demeure le temps de notre idylle !<\/p>\n<p style=\"text-align: center;\">L\u2019opacit\u00e9 de ma raison et de mes prunelles,<\/p>\n<p style=\"text-align: center;\">Font des caracoles au clair de lune un viol perp\u00e9tuel.<\/p>\n<p style=\"text-align: center;\">Exil\u00e9 de l\u2019encolure je d\u00e9vale un vallon p\u00e9rilleux,<\/p>\n<p style=\"text-align: center;\">D\u00e9plorant le souvenir du co\u00eft virginal,<\/p>\n<p style=\"text-align: center;\">Mors lac\u00e9r\u00e9es, sangles conjurant les cieux,<\/p>\n<p style=\"text-align: center;\">J\u2019adjure notre union sous l\u2019azur lacrymal<sup><a id=\"post-1322-footnote-ref-4\" href=\"#post-1322-footnote-4\">[4]<\/a><\/sup>!<\/p>\n<p style=\"text-align: center;\">Malheur au marin \u00e0 l\u2019or\u00e9e de l\u2019\u00e2ge m\u00fbr,<\/p>\n<p style=\"text-align: center;\">Qui se laissa \u00e9gar\u00e9 par le strass et les parures !<\/p>\n<h4 style=\"text-align: center;\"><strong>Le fruit de la r\u00e9bellion<\/strong><\/h4>\n<p style=\"text-align: center;\">Quand les vents s\u2019\u00e9l\u00e8vent, d\u00e9cha\u00een\u00e9s,<\/p>\n<p style=\"text-align: center;\">Et que les astres d\u00e9f\u00e8quent dans leur drap,<\/p>\n<p style=\"text-align: center;\">Que les regrets s\u2019\u00e9veillent, enfi\u00e9vr\u00e9s,<\/p>\n<p style=\"text-align: center;\">Et que la fureur sature mes pas,<\/p>\n<p style=\"text-align: center;\">Quand la m\u00e9lodie de l\u2019oublie<\/p>\n<p style=\"text-align: center;\">M\u2019enserre dans ses bras,<\/p>\n<p style=\"text-align: center;\">Et que l\u2019\u00e9toile \u00e0 contre c\u0153ur luit<\/p>\n<p style=\"text-align: center;\">Du rouge sang des vendettas,<\/p>\n<p style=\"text-align: center;\">La paix s\u2019\u00e9vapore dans les d\u00e9dales<\/p>\n<p style=\"text-align: center;\">De souvenirs amers,<\/p>\n<p style=\"text-align: center;\">D\u2019une enfance riant jaune.<\/p>\n<p style=\"text-align: center;\">L\u2019\u00e9cho d\u2019un devenir avili<\/p>\n<p style=\"text-align: center;\">D\u00e9gringole \u00e0 vive allure dans l\u2019oblivion<sup><a id=\"post-1322-footnote-ref-5\" href=\"#post-1322-footnote-5\">[5]<\/a><\/sup>,<\/p>\n<p style=\"text-align: center;\">Tandis que la crini\u00e8re du lion<\/p>\n<p style=\"text-align: center;\">Crie \u00e0 la calvitie.<\/p>\n<p style=\"text-align: center;\">Ah ! c\u2019est l\u00e0 le signe<\/p>\n<p style=\"text-align: center;\">Que R\u00e9<sup><a id=\"post-1322-footnote-ref-6\" href=\"#post-1322-footnote-6\">[6]<\/a><\/sup> convulse sous terre,<\/p>\n<p style=\"text-align: center;\">Fragment\u00e9, enchain\u00e9<\/p>\n<p style=\"text-align: center;\">Dans la ge\u00f4le d\u2019un cr\u00e9puscule \u00e9ternel.<\/p>\n<p>HAROLD GNAMIEN<sup><a id=\"post-1322-footnote-ref-7\" href=\"#post-1322-footnote-7\">[7]<\/a><\/sup><\/p>\n<ol>\n<li id=\"post-1322-footnote-1\">R\u00e9f\u00e9rence \u00e0 la sculpture d\u2019Aim\u00e9 Jules Dalou du m\u00eame nom. <a href=\"#post-1322-footnote-ref-1\">\u2191<\/a><\/li>\n<li id=\"post-1322-footnote-2\">\u00ab Ce que les r\u00eanes et le mors sont \u00e0 un cheval indompt\u00e9, l\u2019intellect l\u2019est \u00e0 la volont\u00e9 humaine \u00bb, Schopenhauer,<em>Le monde comme volont\u00e9 et repr\u00e9sentation<\/em>. Avant lui, dans <em>Ph\u00e8dre<\/em>, Platon assimilait l\u2019\u00e2me \u00e0 un char ail\u00e9 conduit par un cocher ; ici l\u2019image du cheval et de la barque, r\u00e9currente dans l\u2019iconographie antique, sont adoss\u00e9es l\u2019une \u00e0 l\u2019autre eu \u00e9gard de leur fonction de locomotion. <a style=\"font-size: revert; background-color: var(--wp--preset--color--base); font-family: var(--wp--preset--font-family--Times-new-roman);\" href=\"#post-1322-footnote-ref-2\">\u2191<\/a><\/li>\n<li id=\"post-1322-footnote-3\">Impermanence. <a href=\"#post-1322-footnote-ref-3\">\u2191<\/a><\/li>\n<li id=\"post-1322-footnote-4\">Qui a rapport aux larmes. <a href=\"#post-1322-footnote-ref-4\">\u2191<\/a><\/li>\n<li id=\"post-1322-footnote-5\">L\u2019oubli, l\u2019inconscience. <a href=\"#post-1322-footnote-ref-5\">\u2191<\/a><\/li>\n<li id=\"post-1322-footnote-6\">R\u00ea (ou R\u00e2) est un dieu solaire dans la mythologie \u00e9gyptienne, cr\u00e9ateur de l&rsquo;univers. <a href=\"#post-1322-footnote-ref-6\">\u2191<\/a><\/li>\n<li id=\"post-1322-footnote-7\"><a href=\"https:\/\/www.instagram.com\/haroldgnm\/\">https:\/\/www.instagram.com\/haroldgnm\/<\/a> <a href=\"#post-1322-footnote-ref-7\">\u2191<\/a><\/li>\n<\/ol>\n","protected":false},"excerpt":{"rendered":"<p>Peinture : La Nativit\u00e9 mystique, peinture \u00e0 huile sur toile (108,5 \u00d7 74,9 cm), 1500-15001, Sandro Botticelli, London National Gallery. Extraits d\u2019un recueil de Po\u00e9sie. Avant-propos de l\u2019auteur\u00a0: Ce recueil a vocation \u00e0 utiliser le m\u00e9dium po\u00e9tique comme un outil, un moyen, pour tenter d\u2019effleurer l\u2019essence de certaines r\u00e9alit\u00e9s. En ce sens, chaque \u00e9tape de [&hellip;]<\/p>\n","protected":false},"author":10,"featured_media":1323,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[13,11],"tags":[32],"class_list":["post-1322","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-inventions","category-poesie","tag-juin-2024"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Extraits d\u2019un recueil de Po\u00e9sie. - Revue des Temps<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/revuedestemps.com\/index.php\/2024\/06\/23\/extraits-dun-recueil-de-poesie\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Extraits d\u2019un recueil de Po\u00e9sie. - Revue des Temps\" \/>\n<meta property=\"og:description\" content=\"Peinture : La Nativit\u00e9 mystique, peinture \u00e0 huile sur toile (108,5 \u00d7 74,9 cm), 1500-15001, Sandro Botticelli, London National Gallery. Extraits d\u2019un recueil de Po\u00e9sie. Avant-propos de l\u2019auteur\u00a0: Ce recueil a vocation \u00e0 utiliser le m\u00e9dium po\u00e9tique comme un outil, un moyen, pour tenter d\u2019effleurer l\u2019essence de certaines r\u00e9alit\u00e9s. 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